Welcome to the latest Musical Theatre Monday! In this month’s post, we’re paying homage to Irving Berlin’s score for Reaching For The Moon (1930), a United Artists picture that stars Douglas Fairbanks as a broker who loses his fortune in the market crash, but falls in the meantime (aboard ship, mind you) for an impish amateur aviatrix, played by Bebe Daniels. Others in the cast include Edward Everett Horton, Jack Mulhall, Walter Walker, Claud Allister, June MacCloy (in a role originally slated for Ginger Rogers), and Bing Crosby. Budgeted at over $1 million, this musical comedy was directed and written by Edmund Goulding — based on a story by Berlin.
Berlin wrote no less than 14 numbers for Reaching For The Moon (initially titled Lucky Break), along with the original version of the property (entitled Love In A Cottage, which boasted an entirely different story). But as the Great Depression started to make its presence known, studio executives decided that musicals were “out” and following a press screening, all but one of the six (or seven — that’s up for debate) songs were deleted. The only number extant in the film is “When The Folks High Up Do The Mean Low-Down,” a terrifically swingin’ tune led by Bing Crosby (and featuring Bebe Daniels and June MacCloy). Here it is from the film below.
But the picture, with its one number, is hardly worth mentioning on its own. It’s not particularly Pre-Code (that is, truthful or envelope-pushing), and without the music, the only reason to watch it is the cast. (However, if you’re interested, I’ve scoured the nearly half-a-dozen releases of the film, ranging from 62 to nearly 74 minutes, and found the longest and best quality version. If you’re interested, please comment below — but subscribe first, if you haven’t already!) So, we’re here today for Berlin’s jettisoned score, which includes gems like “The Little Things In Life,” later added to Blue Skies (1946). Here’s a period rendition by Crosby.
Other numbers were repurposed, including “A Toast To Prohibition,” added to Face The Music (1932) and “If You Believe,” which was placed in the aforementioned show’s 2007 Encores! production (and had been written for Love In A Cottage). Here’s the rendition of the former from that recording.
With a cute number cut before shooting, here’s Leigh Barret and Benjamin Sears in “Do You Believe Your Eyes?”
And we’ll close with Ella Fitzgerald on the title song, used in the picture only for underscoring.
Come back next month for a new musical theatre post — it may be the best entry we’ve ever done here since leaving the weekly schedule, and that’s saying something! Also, stay tuned tomorrow for more Wings!
As always, an insightful review of a little known (completely unknown to me), movie.
Not surprisingly, I’m now curious to see it myself and would like to know the source of that 74-minute version to which you referred.
Hi, duxkino! Thanks for reading and commenting.
Are you currently a subscriber? I can’t see your email information in my list. If you aren’t currently subscribed, please do so and I will send you a link to view the longest available cut of REACHING FOR THE MOON, the source of which I can’t tell you at the moment (as I’m away from the various physical copies I have of the picture).
Good songs,would love to see the full movie.
Hi, Bob! Thanks for reading and commenting.
I have emailed you at your gmail address.
I’d be very interested in seeing Reaching for the Moon, and I am subscribed.
Hi, Michael! Thanks for reading and commenting.
I have emailed you at your gmail address.
This is one of those films that you wish was better than it actually is – and it might have been far better with the songs left intact. Ah well, thanks for featuring it – and I’d love to see the longest version possible. Thanks!
Hi, Harlan! Thanks for reading and commenting.
I have emailed you at your aim address.
I would also be interested in seeing this film!
Hi, Maud! Thanks for reading and commenting — and subscribing!
I have emailed you at your me address.
I have a sentimental tie to this film: it’s one of the first “older” films that I watched when I was eleven years old, and the first time that I heard a silent-era actor’s “talkie” voice. The longest version that I’ve seen was about 71 minutes. Curious to see the 74 minute version. If only the extra fifteen minutes of footage was somewhere…
I have subscribed.
Thanks in advance!
Hi, Clate! Thanks for reading and commenting.
I’m not seeing an address associated with your IP on my list. Be sure to confirm your subscription at the link emailed to you!
Sorry about that. Subscription now confirmed.
Got it; thanks! I have emailed you at your yahoo address.