Welcome to a new Sitcom Tuesday! Today, we’re concluding our coverage on the best episodes of Phyllis (1975-1977, CBS), the second spin-off from The Mary Tyler Moore Show (1970-1977, CBS). Unfortunately, the series has yet to be released on DVD, but has enjoyed moderate success in syndication and will undoubtedly be released one day.
Changes are in store for Phyllis when she gets a job working in the office of a city supervisor. Phyllis stars CLORIS LEACHMAN as Phyllis Lindstrom, HENRY JONES as Judge Jonathan Dexter, JANE ROSE as Audrey Dexter, LISA GERRITSEN as Bess Lindstrom, CARMINE CARIDI as Dan Valenti, JOHN LAWLOR as Leonard Marsh, GARN STEPHENS as Harriet Hastings and JUDITH LOWRY as Mother Dexter.
The second season of Phyllis puts the titular heroine in a new working environment, the office of a city supervisor, which seems to knowingly emulate WJM’s newsroom: we have a gruff boss (Caridi), a goofy bigwig (Lawlor), and a cynical co-worker (Stephens). On the home front, Jonathan and Audrey are still underused (Rose was apparently ill, and she looks it — especially in the beginning of the season), while Mother Dexter continues to be milked for all her comedic worth. But tragedy struck Phyllis again. Two weeks before CBS aired Mother Dexter’s wedding, actress Judith Lowry passed away. (Burt Mustin followed less than two months later.) Her character’s departure marks the end of the show’s humor, and the fact that the biggest laughs came from an 86-year-old guest-turned-regular illustrates how otherwise depleted the series had become. Additionally, the new office stories don’t work (because of the single-dimensionality of the new players), Jonathan and Audrey are unnecessary talking heads (and barely factor in the stories), and Phyllis has all but lost her comedic edge (the most egregious sin this series ever committed). What was once purposely flighty about the character is now uncomfortably so, for her personality fluctuates week to week — and even scene to scene. Is she growing and becoming less self-involved, or is she regressing and trying to remain the show’s major source of comedy? Either way — the supporting cast isn’t strong enough to help sustain the series during the character’s inconsistent rendering.
But then, three weeks before the end of the season, the series is given a jolt when Bess elopes. The final three episodes, in which Phyllis runs around in utter shock, presents a new and fascinating dynamic — especially when Bess announces her pregnancy in the finale. But this development was never to be explored, as the series was cancelled at the end of the year. Truthfully, the season is no worse than Rhoda‘s third (which aired concurrently), but the city supervisor concept doesn’t work, and Phyllis’ growing lack of definition spoils the show from ever clicking. But, this is still an MTM series and Cloris Leachman is always hilarious, so there are a handful of great outings. Thus, I have picked ten episodes that I think exemplify this season’s strongest installments. For new fans, this list will give you a place to start. For seasoned fans, there might be a few surprises.
Here are my picks for the ten best episodes of Season Two. (They are in AIRING ORDER.)
01) Episode 25: “The New Job” (Aired: 09/20/76)
Phyllis seeks new employment.
Written by Ed. Weinberger & Stan Daniels | Directed by Jay Sandrich
The first thing viewers will notice about the second season is Leachman’s new short hairdo, which is remarked upon by Phyllis herself in the hysterical opening scene in which she competes with another sad sack for an uninterested bartender’s sympathy. It’s probably the highlight of the episode, even though there is a great sequence with John Ritter as a grifting city supervisor who hires Phyllis just before his sins hit the fan. Otherwise, this season premiere is almost like a second pilot, as a whole new format has to be established. Unfortunately, it’s not nearly as promising as last season’s initial debut, but it at least presents us with a handful of laughs.
02) Episode 26: “You’re Not Getting Better, Just Older” (Aired: 09/27/76)
Phyllis tricks Mary into coming for a visit.
Written by David Lloyd | Directed by Jay Sandrich
Mary Tyler Moore crosses over for the second and final time (but the first time in which she and Leachman actually get to interact) in this very funny episode in which Phyllis, in an attempt to prove she has friends, beckons Mary to San Francisco on the pretense of some emergency. When Mary learns that she’s been deceived, her anger is unlike anything we’ve ever seen in her character before — exciting, hilarious, and warranted. Comedic highlights: the gag where Phyllis tells Mary she’s pregnant (see the screen capture above) and the bit between Mary and Mother Dexter (in which each one tries to shock the other). One of this season’s few true gems.
03) Episode 32: “The Wrong Box” (Aired: 11/08/76)
There’s a mix-up when Phyllis has Lars’ body shipped from Minneapolis.
Written by Earl Pomerantz | Directed by James Burrows
What a strange episode! I’m most impressed by the unique premise, which has Phyllis arranging for Lars’ body to be transported from Minneapolis to San Francisco, just so she can have the pleasure of visiting him in a cemetery. Unfortunately, there’s a mix-up and Phyllis is accidentally shipped a puma. The comedy continues, however, when Phyllis tries to redo the funeral with a crowd of uninterested guests. It’s very comical; one of the few times that Phyllis is creatively on all cylinders — even though the cylinders are (appropriately) bizarre. Yet bizarre means originality, and when a fresh premise meets a funny script, I have no complaints.
04) Episode 34: “Bess Airs Her Views” (Aired: 11/29/76)
Bess is expelled after advocating for a fired teacher who posed nude.
Written by Glen Charles & Les Charles | Directed by Asaad Kelada
Lisa Gerritsen was one of TV’s best child actors. However, as she aged, her even vocal delivery (and refreshing underplaying) sometimes works against the comedy. This is always a detriment to the Bess-centric Phyllis episodes, and they usually only work because of either Leachman or the premise. In this episode’s case, it’s both, as the wonderful story has Bess publishing an article for which she poses nude in protest of the termination of a teacher who also posed nude. Bess is expelled and Phyllis wants her to apologize. The comedic climax is Phyllis’ striptease to the college officials (including David “Larry Tate” White) who’ve expelled Bess.
05) Episode 35: “Mother Dexter Cohabitates” (Aired: 12/06/76)
Mother Dexter moves in with her boyfriend.
Written by Glen Charles & Les Charles | Directed by Tony Mordente
This is the first of a two-episode arc that sees Mother Dexter married off to Burt Mustin’s Arthur, a character introduced in last season’s “Honor Thy Mother Dexter.” (Of course, by the time these two episodes aired, Lowry had already passed.) In this installment, the family is shocked to learn that the geriatric lovebirds have decided to live together out of wedlock because she refuses to marry him. Phyllis attempts to intervene, but it isn’t until Bess manages to propose a logical and compelling argument that Mother Dexter changes her mind. The funniest stuff occurs at the end when Mother Dexter admits that Arthur is not her first. Hilarious!
06) Episode 36: “Mother Dexter’s Wedding” (Aired: 12/13/76)
Phyllis forgets to pick up Mother Dexter for her wedding.
Written by Glen Charles & Les Charles | Directed by Asaad Kelada
Phyllis’ most famous episode is also probably one of its best. Yes, this is the episode in which Lowry’s Mother Dexter walks down the aisle. However, Phyllis is in charge of arranging the event, and in typical Phyllis fashion, she forgets to pick Mother Dexter up from her trailer park. It’s a clear homage to “Rhoda’s Wedding” (which Phyllis mentions — with rare self-awareness!) and it works: not only is it hugely comical, but the behavior is perfectly in fitting with the Phyllis character. This isn’t the jokiest episode of the season and it doesn’t have the most laughs, but it’s the most exciting and the laughs here are big. Judith Lowry is a national treasure. Great.
07) Episode 42: “Broken-Hearted Bess” (Aired: 01/30/77)
Phyllis tries to cheer up Bess after a breakup.
Written by Glen Charles & Les Charles | Directed by Noam Pitlik
With Lowry’s passing, the show briefly turned its focus to the characters in the office. Because Dan and Harriet proved unfunny, the only workable comical character was Leonard, and yet he, like the other two, lacked definition. This episode is an interruption of this string of narrative mediocrity, as the focus returns to Phyllis’ relationship with Bess. In this installment, Bess meets her soon-to-be husband. This one is enjoyable because of the final scene, which takes place in a sleazy motel where Phyllis tries to cheer up a jilted Bess, and in the process, pops a hole in the waterbed. The scene is funny, and helps render the whole episode most memorable.
08) Episode 46: “The Elopement” (Aired: 02/27/77)
Bess elopes with Dan’s nephew, Mark.
Written by Laurence Marks | Directed by Doug Rogers
Three episodes before the end, the show gets bold and marries Bess off to her not-so-clean-cut boyfriend. It’s a wonderful shock to Phyllis, whose reaction is predictably hilarious (and earns her a bottom smeared with “wedding pizza”). It’s a marvelously hilarious script, and the story, which has Phyllis attempting to split up the newlyweds, only to inadvertently patch up a secret fight between the two, is amusing and well-constructed. I especially appreciate the final joke in the second act in which Phyllis tries to warn her new son-in-law that insanity runs in the family. “I know,” he retorts. With this episode, the show launches into its final (very funny) arc.
09) Episode 47: “The Apartment” (Aired: 03/06/77)
Phyllis hopes Jonathan will invite Bess and Mark to live with them.
Written by Laurence Marks | Directed by Noam Pitlik
The middle episode of this rejuvenating trilogy, this installment finds the newlyweds leaving the motel for a small (un-tastefully decorated) apartment. Phyllis tries to get them to move into a better place and schemes to have Jonathan offer the pair a room at his house, by showing the Dexters, via a cramped dinner, Bess’ uncomfortable new place. This episode works because Phyllis is presented as intelligent and resourceful (although she lacked self-awareness, she was never dumb, as much of Season Two paints her), and because Dan, being Mark’s uncle, is now better integrated into the series, giving him a connection to Phyllis beyond just a boss.
10) Episode 48: “A Baby Makes Six” (Aired: 03/13/77)
Mark walks out on Bess, just as she learns she’s pregnant.
Written by Glen Charles & Les Charles | Directed by Noam Pitlik
As mentioned in my introduction, the series makes another bold move and has Bess get pregnant. The story allows for another incredibly funny script, with every scene employing sharp lines and good laughs. The office scene in which the staff argues about what Bess should do to get her estranged husband back is memorable, as is Bess’ pregnancy reveal to Phyllis, who has just explained how she revealed her condition to Lars. The episode is so strong that it leaves us with a spark of promise as to what could have been an interesting third season. Phyllis as somebody’s grandmother? There could have been some great, original, laughs there.
Other notable episodes that narrowly missed the list above include: “Out Of The Closet,” in which Phyllis encourages her beau to come out as gay to his family and friends (it’s a rare issue-oriented episode of this series, and the one that came closest to making this list), “Phyllis And The Jumper,” in which Jerry Stiller plays a suitor who goes out onto a ledge when Phyllis rejects him (but the script is way too story-driven, and loses its humor after the first few scenes), and “The Christmas Party,” which features a beautifully choreographed scene in which Phyllis alternates between enjoying herself at the office Christmas party and pretending to be hard at work each time her boss comes in to check on her.
*** The MVE Award for the Best Episode from Season Two of Phyllis goes to…..
“Mother Dexter’s Wedding”
Come back next Tuesday for the best from the first two seasons of Three’s Company! And tune in tomorrow for a new Wildcard Wednesday post!